missus-ruin:

Was commissioned to make some ruinpeople outfits for dearestsongbird’s OCs. On one hand I’m like YASSSS MAKING RUINPEOPLE OUTFITS and on the other I’m like NO I LIKE THESE DESIGNS BUT NOW I CAN’T USE THEM MYSELF ahahha.

d-a-l-t-o-n-i-s-m-o:

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d-a-l-t-o-n-i-s-m-o:

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Landscape/Environment Tut

badasserywoman:

Okay so i got a few notes on how i go about Environments/Landscapes…so i’ll share a method thats easy to work with….bare with me its been a little while since ive drawn them Lol

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First thing you want to start of with in your gradient background…use what ever is your preference. Depends on the setting, ima do some type of desert/dusty place.

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You’ll learn that the Lasso tool is gonna be your bae when it comes to environments…that and its pretty useful. Now your going to be working in three tones, 1.Dark 2.Mid 3.Light and it will always be the darkest at the front fading to light towards the back…make sense? So you will have three layers for each one to make your life easier and Lock those layers so you will only color within that area. Make sure the dark layer is on top. 

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Here is where the fun kicks in…we add our dets, try to stay with each tone and dont end up making it all muddy so you cant distinguish each one. Now you can go about this any way you please, you can paint it all in with one brush ( for some reason people get anal about shit like that, thinking there great for using one brush…i think if you got tools use em if you know how to do it right.) Or you can use custom brushes…since this is a tut ill mostly use custom brushes to slap stuff around. Its up to you really, also use the lasso tool like i said its your bae.

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The lasso can help define things better for you, so i wanted to add a structure type on the third layer. If you want to give an effect that the selection ive made is in front of the background right click your selection and invert it, add some lighting around the edges…only a little though you dont want to over do it.

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Also if you’ve done something on a layer you dont want to mess up or paint on what you can do is create a clipping mask on that layer. Its kinda like locking the layer to that one so you dont go outside of the layer or ruin what you worked on. Make a new layer above the one you wish to attach it to and right click the newlayer, a menu will pop up, your looking for clipping mask. Once you clicked it the layer should look like what ive circled. 

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Once your done working on each layer we are gonna put in some mist effect, this is something that helps separate each section. So make a new layer between each of your three as shown in the image. Like i said you can use what ever method you like, i just use a soft brush or cloud/mist brush to get what i want. 

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Now we are going to add some definition to the image a good one to use is Curves. You can find this where your layer menu is, at the bottom you’ll find it, ive circled what your looking for. On the third image is what will appear when you click curves, all you need to do is drag the little square and you’ll see some magic happen. So adjust it to your preference. If you want you can also mess with brightness/contrast too. ALSO i would recommend adding a person in the image, it gives you an idea of the scale your environment is.

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I was going to end it there but hey, ill show one last thing…its pretty simple. and that is some water reflection, we are going to turn the middle into water instead cause its a little boring right now. I merged all layers but the first one, you then want to make a selection and copy/paste. Free transform in the shortcut is ctrl T and do a vertical flip on it then adjust so its mirroring the top. 

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Now make a clipping mask like i explained earlier on the reflected surface and use the radiant tool…i think its called that lol it gives it more of a water surface like you see. For the image below it i used a custom brush which creates a water effect, aaaaaaaaaand bam you got you water now covering the area…easy huh. 

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And so this concludes the Tutorial and you have the end result. Hopefully that gave some tips on how to approach landscapes…they can be confusing sometimes on where to start. Enjoy and let me know if it was useful or not :P

translatoranon:

A collection of font guides I’ve made over the years for my scanlation group. I’d say about 99% of the ones listed here are free; I’ve only paid for a select few.

Hopefully this helps someone.

everkings:

fucktonofanatomyreferences:

A glorious fuck-ton of perspective angle references (per request).

[From various sources.]

THIS IS BEAUTIFUL 

/ listens to tears for fears on repeat instead of dealing with my life /

micaxiii:

deductionfreak:

hazelguay:

The most valuable chart…



yes thanks for colouring it I had a hard time reading that

micaxiii:

deductionfreak:

hazelguay:

The most valuable chart…

image

yes thanks for colouring it I had a hard time reading that

(Source: hazeeelguay)

twentypercentcooler:

mylittledoxy:

yopatrick:

Some good tips about comic lettering from Nate Piekos of Blambot.com

Takes 5 minutes to read. Please check these out guys!

NOTHING tanks a comic harder than bad lettering and coloring, two of the most overlooked but extremely important aspects of getting your words and pictures to go together. I’ve said it before, but the most important thing about any comic is whether or not you can read it, and lettering is where a lot of rookies put up the barrier between the reader and the story.

These are all good tips!

ca-tsuka:

Artworks of Myosis student short film from french Gobelins school.
Directed by Emmanuel Asquier-Brassart, Ricky Cometa, Guillaume Dousse, Adrien Gromelle and Thibaud Petitpas.

italian-luxury:

Phú Quốc, Vietnam 

italian-luxury:

Phú Quốc, Vietnam